banter on area arts and culture

28 September 2006

Yard Signs, or, Is the Election Over Yet?

The time has come again - the midterm elections are creeping upon us. Signs are adorning yards, ads are on the air. The typical politics of politicking [sic] is everywhere you look. Who should we elect? Does it matter?

Especially in local politics where the even the liberals are conservative, does anything really change our landscape?

Let it be known before hand, that while I certainly have a political orientation, culturepulse.org does not. Our agenda here is simply for the arts. That being said, I will try my hardest to not drip my own persuasion all over this post. Since I will most likely fail, let me give a pre-enmptive whoops.

I want to talk about the arts and politics. Many do not know, and I realize this is contentious, that the arts are subsidized on a federal and local level. The National Endowment for the Arts receives its funding from the national legislature, and the North Dakota Council on the arts receives it statewide.

It is important, then, that supporters of the arts support candidates who support the arts. Make sense, right?

Let's talk about about the National Endowment for the Arts. The purpose of this overly-criticized organization is to support public access to the arts. Right now, advocates are urging Congress to support a budget of $170 million for the NEA in the FY07 Interior Appropriations bill to increase funding for the creation, preservation, and presentation of the arts in America through the NEA’s core programs—Access to Artistic Excellence, Challenge America: Reaching Every Community, Federal/State Partnerships, and Learning in the Arts.

[link to NEA talking points and informational statistics]

I'll let you know, as a point of reference, that the Mapplethorpe exhibits are a small, small minority of what is actually funded out there. For instance - my agency, the Marketing Services Partnership, which brings you culturepulse.org, is the recipient of a Challenge America Grant.

As it stands right now, the NEA funding is in a bit of hold-up. [From ArtsUSA] As expected, it appears that Congress will put off appropriations legislation and pass a continuing resolution through November, when they will return for a lame-duck session to finish the appropriations process. Congress is also expected to wrap-up numerous appropriations bills—including those that fund the NEA—into one large "omnibus" bill, which may not pass until after the November elections.

Apparently, and I've only heard this through the grapevine, our own Sen. Byron Dorgan is one of the committee members that is not interested in funding an increase. Dorgan is the ranking member of the Interior and Related Agencies Appropriations Subcommittee, which is reviewing the NEA's appropriation. On the other side of the aisle, (and the river) Sen. Norm Coleman (R-MN) has circulated a "Dear Colleague" letter to his Senate colleagues, asking their support for an increase of five to 10 million dollars for FY 2007.

Politicking aside, Dorgan is typically a supporter of the arts. As it stands right now, Dorgan and Conrad (who is up for election) have a 100% voting record with Americans for the Arts in terms of supporting arts. Rep. Pomeroy comes in close, only voting "against the arts" on three bills, one of which would have increased the NEA funding. We can't know his reasons for those votes, however. We must assume he is a supporter of the arts, since he voted positively in 22 cases.

While there are a ton of reasons the arts are important, it is most important that people get out and vote. Find out what is important to your candidates, do not just vote on party lines. This goes local all the way to the top. In the 2004 election, much to do was occurring in my parents house when we would all get together. My parents took a different route in voting than my sister and I. Based solely on concepts rather than issues. I bet if you dug up my parents voting records, they have voted one way their entire lives (for the most part... ND is a unique state, in that we are RED, but send the BLUE to DC). My voting record is spotty at best. I doubt that either party really wants me - I just simply can't be trusted.

Those that know me would assume my blood flowed blue, but in reality, would be shocked to learn I worked on a republican presidential campaign in the lead up to 2000.

Granted as I get older, it is easier to formulate personal dogma and vote according to that, and typically one party will personally triumph over the other.

That being said, North Dakotans are unique in the sense that we don't have to register. We don't really have to chose party affiliation.

As the election draws near, I urge people to focus on issues of importance - education, social welfare, economics, the conflict in Iraq, national policy and the safety of our way of life, both in terms of national security and in terms of personal liberty. Many of these topics were noticeably lacking in the last election. Republicans launched what appeared to be a tactic of scaring and the Democrats responded in-kind. Both parties failed in the last election. Both. Bi-partisan politics and the electoral system work in some situations, but I would be willing to bet that mainstream America could find a candidate in the last election that wasn't polarized on one side of the aisle or the other. In the same way, we continue to have a polarized country.

What issues are dominating the headlines? Gay marriage, abortion, social morality and Iraq. Where are the stories about the social welfare of our country? Where are the stories about the local issues? Where are the stories about the failure that is our public education system? Where are the stories about our loss of industry and jobs? Those are all again missing. The national media fuel the polarization. It's a vicious cycle.

Politics are a personal journey. Find a candidate, regardless of party affiliation, and judge them on the merits of their issues, not what animal mascot adorns their letterhead.

What does it mean, anyway? My friend Scott (who is on the opposite side of the political spectrum than I) have long discussions about how republicans are the new democrats and democrats are the new republicans. Politics have become so cyclical that the labels mean nothing anymore.

It reminds me of Barry Goldwater, the favorite "old conservative". Goldwater is often considered the father of the modern conservative movement — he was a libertarian republican who despised big government.

However, Goldwater on many occasions has blasted his own party as it moved towards the policy of morality. As early as a Sept. 15, 1981, Senate speech, Goldwater noted that Jerry Falwell's Moral Majority, anti-abortion groups and other religious right groups were sometimes referred to in the press as the "New Right" and the "New Conservatism." Responded Goldwater, "Well, I've spent quite a number of years carrying the flag of the 'Old Conservatism.' And I can say with conviction that the religious issues of these groups have little or nothing to do with conservative or liberal politics. The uncompromising position of these groups is a divisive element that could tear apart the very spirit of our representative system, if they gain sufficient strength."

Now, I'm not making any comment on Barry Goldwater as a person or as a congressman. I'm simply throwing forward one of the republican old guard, considered the quinessential conservative messiah by many, who was a supporter of a women's right to chose and gay unions.

So, where is the label in that?

Let's drop the labels and vote for representation that is logical and supportive of our growth as a community, as a nation, and as a people.

Get out the vote. Or else.

2 Comments:

Anonymous Anonymous said...

I hear you on the NEA. I support them but...what about donations from the private sector? Why overlook this resource in your political rant? I'd recommend to anyone that wants to enjoy a life in the arts to practice, practice, practice, acheive greatness and create demand for your art/performances. This is a much better angle than sitting around and waiting with your hand out. Taxing the hell out of all of us is much worse for the arts. Trust me. A healthy economy = more donations, the better performance group...the more $$$ you receive.

Higher Ed. has been offering performance degrees for decades, centuries actually. It wasn't until about 20-25 years ago that the University of Miami finally started to offer a Music Biz and Arts Law degree. The program has opened the door to many colleges and universities to offer similiar programs.

Our society has changed drastically, economically, over the years. Mom has to work, students come out of college with lots of debt, the changes are enormous. Please, you arts types, learn to adapt to the new economy. Complaining about how good it was in the old days and, blaming your lack of success on an "administration" ain't cuttin' it.

Sorry for the rant. I don't mean it as intense as it reads. I'm just sayin'...food for thought.

Great performances + demand at a fair ticket price = a healhty arts scene.

Oh, there's more...maybe the focus, and spending, needs to be more with the youth. Think about this...Jaeger, Bowie, Richards, Lennon, McCartney (there's many more) all went to "arts school" as children and youngsters. Just think how much they've paid back their government with income taxes, sales tax on tickets, merch., etc.

8:05 AM

 
Blogger Benjamin Klipfel said...

You make good points, and I agree with you on many things. One thing, however, that is a sticking point, is private donations. It becomes an economy of scale. Does Grand Forks, for instance, have the where-with-all to support the 500+ nonprofits in our community (including churches)? Probably not.

I am actually not thinking about the good old days, or blaming anything on an administration (I don't know what the good old days are, I'm not even 30 yet :-)).

Art types are looking to adapt to a new economy, they really are. They are changing the way they market, the way they offer programming, and the way the run their groups. The problem lies in the fact that art is subjective. Grand Forks has not taken any art risks in a long time, because those risks are not rewarded. We have a latent audience here, and one that wants only a certain type of art. Therefor, we have created a culture of "too many flowers blooming" and thus, have weekend our arts scene. Art quality, on a base level, is in the eye of the beholder. I bet you and I would differ very greatly on what is considered quality in Grand Forks, or what is important. That's the beauty of art. When you break affinity for something across a dozen genres and a multitude of sub genres, you pit those organizations against one another, and ultimately, tax their patrons.

It's also easy to say practice, practice, practice, achieve greatness and create demand. What does that mean? A vast majority of arts programming in Grand Forks, for example, is education based. They are replacing aspects eliminated from the school system, or enhancing.

Also, when we talk about economy of scale, we must look to the past a bit, and see what the American arts scene was like prior to, for example, the NEA. For instance, there were 50 dance companies in the country, and, 45 of them were in Manhattan (before 1968, presumably). That is because there was a culture of support there, regardless of quality.

Healthy economies statistically do not lead to more donations. Donors, if you ask fundraisers, don't give simply on catalysts such as quality or a need to give. Donors give because of an alignment of value systems. What does that do to art in Grand Forks that doesn't adhere to a socio-political value system? Does that make it moot? I suppose one could raise the point that if the art isn't valued, it negates its purpose, but I don't buy that.

Art as medium has pushed the envelope of culture for centuries, more so than any other institution. Rarely was the artform popular in its inception, but only appreciated until after the fact.

Take a typical nonprofit arts group in Chicago where 30% of their budget is from ticket sales, 10% is from a tax base giving (NEA, State Agency, Mill, whatever), 30% is typical for private giving, and 30% is from philanthropic sources.

You place that same organization in Grand Forks, and it looks a lot different. We do not have vast philanthropic giving here (we really only have a couple major foundations that give to this area of the world - Knight and Bush. There are a couple of local ones as well). A majority of our giving in the arts is corporate support. These private paths tax just as much as other types of support.

One closing thought before I head to a meeting, is the cost of producing a theatrical event. For instance, on a bare bones budget, performing Cabaret for eight nights, in Grand Forks, cost $30,000. To actually do the show itself cost us almost $600/night (just for the rights). Yet, even with the high quality rating that Crimson receives in the community, people think that $18 is too high for tickets for adults. Trust me, I've seen terrible theatre in LA (trust me, it took everything to keep me there) and paid a lot more in ticket prices, because of the economy of scale.

Just some thoughts. Moving forward, and it's too early to talk about it yet, three area arts organizations are looking to reinvent the way they do business and answer some of these "questions" to hopefully create a much stronger economy for themselves. We will speak directly to some of your comments, actually. :-)

9:06 AM

 

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